I was talking to a friend recently about poetry, because I have those sorts of friends, and I remembered somewhere that the poet, playwright and novelist (maybe cultural agitator would be a good description) Ntozake Shange once wrote down what she thinks a poem should be. So I seached the internet thinking that someone somewhere must have transcribed it but found it nowhere. She wrote the following:"[poems should] fill you up with something/cd make you swoon, stop in yr tracks, change yr mind, or make it up, a poem shd happen to you like cold water or a kiss"
I think this is a fitting description for a great song as well but that's by-the-by.
Here's one of her poems I like best:
Bocas: A Daughter's Geography
i have a daughter/ mozambique
i have a son/ angola
our twins
salvador & johannesburg/ cannot speak
the same language
but we fight the same old men/ in the new world
we are so hungry for the morning
we're trying to feed our children the sun
but a long time ago/ we boarded ships/ locked in
depths of seas our spirits/ kisst the earth
on the atlantic side of nicaragua costa rica
our lips traced the edges of cuba puerto rico
charleston & savannah/ in haiti
we embraced &
made children of the new world
but old men spit on us/ shackled our limbs
but for a minute
our cries are the panama canal/ the yucatan
we poured thru more sea/ more ships/ to manila
ah ha we're back again
everybody in manila awready speaks spanish
the old men sent for the archbishop of canterbury
"can whole continents be excommunicated?"
"what wd happen to the children?"
"wd their allegiance slip over the edge?"
"don't worry bout lumumba/ don't even think bout
ho chi minh/ the dead cant procreate"
so say the old men
but I have a daughter/ la habana
I have a son/ guyana
our twins
santiago & brixton/ cannot speak
the same language
yet we fight the same old men
the ones who think helicopters rhyme with hunger
who think patrol boats can confiscate a people
the ones whose dreams are full of none of our
children
the see mae west & harlow in whittled white cafes
near managua/ listening to primitive rhythms in
jungles near pétionville
with bejeweled benign nativess
ice skating in abidjan
unaware of the rest of us in chicago
all the dark urchins
rounding out the globe/ primitively whispering
the earth is not flat old men
there is no edge
no end to the new world
cuz I have a daughter/ trinidad
I have a son/ san juan
our twins
capetown & palestine/ cannot speak the same
language/ but we fight the same old men
the same men who thought the earth waz flat
go on over the edge/ go on over the edge old men
you'll see us in luanda, or the rest of us
in chicago
rounding out the morning/
we are feeding our children the sun
It's from her collection A Daughter's Geography which is available here - she's one of my favourite poets and someone I'm sure I'll return to in a future post.
whitebuildings
And I think on the role of the poet, Auden's tribute to William Butler Yates is pretty good and no, I don't think Yates was a facist, he was a conservative. They don't exist these days, what passes for them are merely sociopathic liberals with guilty consciences:
ReplyDeleteHe disappeared in the dead of winter:
The brooks were frozen, the airports almost deserted,
And snow disfigured the public statues;
The mercury sank in the mouth of the dying day.
What instruments we have agree
The day of his death was a dark cold day.
Far from his illness
The wolves ran on through the evergreen forests,
The peasant river was untempted by the fashionable quays;
By mourning tongues
The death of the poet was kept from his poems.
But for him it was his last afternoon as himself,
An afternoon of nurses and rumours;
The provinces of his body revolted,
The squares of his mind were empty,
Silence invaded the suburbs,
The current of his feeling failed; he became his admirers.
Now he is scattered among a hundred cities
And wholly given over to unfamiliar affections,
To find his happiness in another kind of wood
And be punished under a foreign code of conscience.
The words of a dead man
Are modified in the guts of the living.
But in the importance and noise of to-morrow
When the brokers are roaring like beasts on the floor of the Bourse,
And the poor have the sufferings to which they are fairly accustomed,
And each in the cell of himself is almost convinced of his freedom,
A few thousand will think of this day
As one thinks of a day when one did something slightly unusual.
What instruments we have agree
The day of his death was a dark cold day.
II
You were silly like us; your gift survived it all:
The parish of rich women, physical decay,
Yourself. Mad Ireland hurt you into poetry.
Now Ireland has her madness and her weather still,
For poetry makes nothing happen: it survives
In the valley of its making where executives
Would never want to tamper, flows on south
From ranches of isolation and the busy griefs,
Raw towns that we believe and die in; it survives,
A way of happening, a mouth.
III
Earth, receive an honoured guest:
William Yeats is laid to rest.
Let the Irish vessel lie
Emptied of its poetry.
In the nightmare of the dark
All the dogs of Europe bark,
And the living nations wait,
Each sequestered in its hate;
Intellectual disgrace
Stares from every human face,
And the seas of pity lie
Locked and frozen in each eye.
Follow, poet, follow right
To the bottom of the night,
With your unconstraining voice
Still persuade us to rejoice;
With the farming of a verse
Make a vineyard of the curse,
Sing of human unsuccess
In a rapture of distress;
In the deserts of the heart
Let the healing fountain start,
In the prison of his days
Teach the free man how to praise.